Biography
Digital download featuring hours upon hours of music from the And Justice for All-era including the remastered album, unrelesed demos and rough mixes and four live shows. $119.00 Variations.
The wildly successful artist who blew up new traditionalism with arena-rock bravura and in the process birthed new hot country. Read Full Biography. The Texarkana Gazette is the premier source for local news and sports in Texarkana and the surrounding Arklatex areas. 1,634,020 likes 1,000 talking about this. Digital download featuring hours upon hours of music from the And Justice for All-era including the remastered album, unrelesed demos and rough mixes and four live shows. $119.00 Variations.
The French duo Justice is very well known to lovers of high quality electronic music all over the world. The band was formed back in 2003 and it found its popularity and acknowledgment pretty soon, because Gaspard Augй and Xavier de Rosnay proved to everyone that they could both make awesome remixes and also create their own excellent music. The musicians' career started with the remix contest, where the duo presented their version of Simian's composition Never Be Alone. Justice managed to impress listeners; however the band did not win the contest. But in this very case the participation proved to be much more important then the victory itself – the duo was noticed by the owner of label Ed Banger Records Pedro Winter, also known to music lovers as Busy P (actually he was the first manager of the legendary group Daft Punk).
Thereby Justice became the permanent members of various parties, organized by Ed Banger Records. The musicians were busy mastering their skills and writing remixes to different bands and performers' works. Step by step the French duo gave a brand new sound for a big number of compositions of Lenny Kravitz, Franz Ferdinand, Fatboy Slim and many others. Meanwhile Justice were preparing the material for their debut long play as well. It was finally ready and released in 2007. The record was titled Cross and it immediately got into the spotlight, which was not a surprise at all. Gaspard and Xavier presented and extremely interesting sound that absorbed both the aesthetics of electronic music and energy of rock. Such an unusual mix was enjoyed by listeners and musical experts gave it positive reviews. Moreover, the album was even nominated for Grammy Award in the category Best Electronic/Dance Album, and numerous musical issues included it into their lists of the best records of a year. Justice started the career in an incredibly confident way and soon they found a lot of faithful fans.
The lovers of concert sound and atmosphere got a possibility to enjoy the live album titled A Cross the Universe which got eighteen tracks in 2008. The duo has always been well-known for its love to rock music, and the final song Final proved that once again: what other electronic band could use the samples of the great Metallica's Master of Puppets? That kind of mix is quite rare, and that is why it is so fascinating. The official release of Justice's new studio attempt took place in 2011. The record was titled Audio, Video, Disco and it became the logical continuation of the band's first long play. The musicians remained faithful to their signature style, but in general Audio, Video, Disco turned out to be lighter than its predecessor. Thus, the music lovers got a powerful album with easy recognizable sound and rememberable melodies: the theme of rock is presented in a full volume again. Justice definitely succeeded in the field of integration of rock and electronica. What surprises will the duo present to us on its future albums? Maybe their composition will get even more guitars? Anyways, the quality is just unquestionable.
Studio Albums
Audio, Video, Disco.
Singles
Lives
Unfortunately for me I never received a copy of the A Cross The Universe film. Whoever was supposed to send me the DVD decided not to send it. This was a bit disappointing. However, I had high hopes that the accompanying live album for A Cross The Universe would not disappoint me. While it wasn't a complete failure, it wasn't anything to rave about (pun intended). Before we dive into the album lets discuss the concept of the live album itself. Live albums are a tricky task. Artists have nowhere to hide any imperfections, and have the pressure of delivering fan favorites perfectly. Even though the live crowd may not notice any flaws with all the adrenaline that comes with a live show, a listener at home will notice any imperfections
Most bands cannot recreate the magic of their music live. It takes a really special band to take songs to the next level. Even better, it takes a truly special band to take the songs to the next level. Some artists may do this by altering songs around adding to their live impact, without taking anything away from the songs. Justice does this so effortlessly live it is scary to hear the monster that is a Justice live performance.
The album is a recording of one of their live shows in San Francisco from earlier in 2008. The French masterminds of Justice (Gaspard Augé and Xavier de Rosnay) enjoyed a lot of success in 2007 thanks to the love that blogs gave their single D.A.N.C.E. and the rest of their debut album Cross. It also helped that their live shows had a reputation of being in a league of their own thanks to strong word of mouth. A year later and they already have a live album under their belts.
There is no doubt that Justice can put on one hell of a live show. No one is questioning that seeing Justice live would be an experience. What I am not sure about is how well it translates on a live album. Sure there are some song changes. Songs are longer, with some sampling of artists like Franz Ferdinand and Klaxons added to give the songs a new sound. With the genre of dance/electronic music Justice add some new sounds and textures to the songs to give it some extra oomph. It sounds nice, and the crowd always responds accordingly with cheers.
The wildly successful artist who blew up new traditionalism with arena-rock bravura and in the process birthed new hot country. Read Full Biography. The Texarkana Gazette is the premier source for local news and sports in Texarkana and the surrounding Arklatex areas. 1,634,020 likes 1,000 talking about this. Digital download featuring hours upon hours of music from the And Justice for All-era including the remastered album, unrelesed demos and rough mixes and four live shows. $119.00 Variations.
The French duo Justice is very well known to lovers of high quality electronic music all over the world. The band was formed back in 2003 and it found its popularity and acknowledgment pretty soon, because Gaspard Augй and Xavier de Rosnay proved to everyone that they could both make awesome remixes and also create their own excellent music. The musicians' career started with the remix contest, where the duo presented their version of Simian's composition Never Be Alone. Justice managed to impress listeners; however the band did not win the contest. But in this very case the participation proved to be much more important then the victory itself – the duo was noticed by the owner of label Ed Banger Records Pedro Winter, also known to music lovers as Busy P (actually he was the first manager of the legendary group Daft Punk).
Thereby Justice became the permanent members of various parties, organized by Ed Banger Records. The musicians were busy mastering their skills and writing remixes to different bands and performers' works. Step by step the French duo gave a brand new sound for a big number of compositions of Lenny Kravitz, Franz Ferdinand, Fatboy Slim and many others. Meanwhile Justice were preparing the material for their debut long play as well. It was finally ready and released in 2007. The record was titled Cross and it immediately got into the spotlight, which was not a surprise at all. Gaspard and Xavier presented and extremely interesting sound that absorbed both the aesthetics of electronic music and energy of rock. Such an unusual mix was enjoyed by listeners and musical experts gave it positive reviews. Moreover, the album was even nominated for Grammy Award in the category Best Electronic/Dance Album, and numerous musical issues included it into their lists of the best records of a year. Justice started the career in an incredibly confident way and soon they found a lot of faithful fans.
The lovers of concert sound and atmosphere got a possibility to enjoy the live album titled A Cross the Universe which got eighteen tracks in 2008. The duo has always been well-known for its love to rock music, and the final song Final proved that once again: what other electronic band could use the samples of the great Metallica's Master of Puppets? That kind of mix is quite rare, and that is why it is so fascinating. The official release of Justice's new studio attempt took place in 2011. The record was titled Audio, Video, Disco and it became the logical continuation of the band's first long play. The musicians remained faithful to their signature style, but in general Audio, Video, Disco turned out to be lighter than its predecessor. Thus, the music lovers got a powerful album with easy recognizable sound and rememberable melodies: the theme of rock is presented in a full volume again. Justice definitely succeeded in the field of integration of rock and electronica. What surprises will the duo present to us on its future albums? Maybe their composition will get even more guitars? Anyways, the quality is just unquestionable.
Studio Albums
Audio, Video, Disco.Singles
Lives
Unfortunately for me I never received a copy of the A Cross The Universe film. Whoever was supposed to send me the DVD decided not to send it. This was a bit disappointing. However, I had high hopes that the accompanying live album for A Cross The Universe would not disappoint me. While it wasn't a complete failure, it wasn't anything to rave about (pun intended). Before we dive into the album lets discuss the concept of the live album itself. Live albums are a tricky task. Artists have nowhere to hide any imperfections, and have the pressure of delivering fan favorites perfectly. Even though the live crowd may not notice any flaws with all the adrenaline that comes with a live show, a listener at home will notice any imperfections
Most bands cannot recreate the magic of their music live. It takes a really special band to take songs to the next level. Even better, it takes a truly special band to take the songs to the next level. Some artists may do this by altering songs around adding to their live impact, without taking anything away from the songs. Justice does this so effortlessly live it is scary to hear the monster that is a Justice live performance.
The album is a recording of one of their live shows in San Francisco from earlier in 2008. The French masterminds of Justice (Gaspard Augé and Xavier de Rosnay) enjoyed a lot of success in 2007 thanks to the love that blogs gave their single D.A.N.C.E. and the rest of their debut album Cross. It also helped that their live shows had a reputation of being in a league of their own thanks to strong word of mouth. A year later and they already have a live album under their belts.
There is no doubt that Justice can put on one hell of a live show. No one is questioning that seeing Justice live would be an experience. What I am not sure about is how well it translates on a live album. Sure there are some song changes. Songs are longer, with some sampling of artists like Franz Ferdinand and Klaxons added to give the songs a new sound. With the genre of dance/electronic music Justice add some new sounds and textures to the songs to give it some extra oomph. It sounds nice, and the crowd always responds accordingly with cheers.
Justice Cross Full Album Mp3 Download
Their setlist was all of 'Cross' with a few bonus live tracks (Soulwax's ‘NY Excuse' and ‘We Are Your Friends'). Some of these additions to the songs weren't enough to make the live versions stand out for me. Maybe it was just the lack of new songs that let me down. I don't know what was missing. Possibly it was seeing the dark atmosphere of their live shows, with them hiding alongside their speakers and the glowing Cross. You do hear the crowd plenty throughout the album but sometimes the contrast between the crowd and the music is a bit off. I love Justice's music but just didn't feel like I got the complete Justice experience from this album. Isn't the point of a live album to pretend like you are at the show? I did not get that feeling at all throughout A Cross The Universe.
After only one album a year ago, it is amazing to see that Justice would follow up the release with a live album. I did enjoy their debut album but it honestly felt a bit unnecessary for a live album to be released so quickly. At points it just felt like a longer version of Cross with crowd cheers every time the French duo adding something new to the songs. To the diehard fan that has witnessed Justice live, this will bring back warm fuzzy memories. To the regular fan such as myself who has yet to experience them live, it comes off as a good live performance, but not too distinctly different from the one studio album they have put out.
D.A.N.C.E.
Stress
Justice Cross Album
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